Books with title A Doll's House: A Play

A DOLL'S HOUSE (Bokmål: Et dukkehjem; also translated as A Doll House) is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879, having been published earlier that month. The play is significant for its critical attitude toward 19th-century marriage norms. It aroused great controversy at the time, as it concludes with the protagonist, Nora, leaving her husband and children because she wants to discover herself. Ibsen was inspired by the belief that "a woman cannot be herself in modern society," since it is "an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint." Its ideas can also be seen as having a wider application: Michael Meyer argued that the play's theme is not women's rights, but rather "the need of every individual to find out the kind of person he or she really is and to strive to become that person." In a speech given to the Norwegian Association for Women's Rights in 1898, Ibsen insisted that he "must disclaim the honor of having consciously worked for the women's rights movement," since he wrote "without any conscious thought of making propaganda," his task having been 2the description of humanity." In 2006, the centennial of Ibsen's death, A DOLL'S HOUSE held the distinction of being the world's most performed play for that year. UNESCO has inscribed Ibsen's autographed manuscripts of A DOLL'S HOUSE on the Memory of the World Register in 2001, in recognition of their historical value. (more on www.wisehouse-classics.com)

A DOLL'S HOUSE is a three-act play in prose by Henrik Ibsen. It premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879. The play is significant for its critical attitude toward 19th century marriage norms.In 2006, A Doll's House held the distinction of being the world's most performed play. UNESCO has inscribed Ibsen's autographed manuscripts of A Doll's House on the Memory of the World Register in 2001, in recognition of their historical value.

“This book is not for the faint of heart. It's deliciously dark and gruesome.” –Where the Reader Grows“The female lead, Olivia, is a great character. She reminded me of Jamie Lee Curtis.” –Cedar Hollow Horror ReviewsAuthor John Hunt has been selected for multiple BookBub Featured Deals for his bestselling novels.Olivia is excited for university. She will be on her own, in a new place hopeful to meet new friends.On the night she moves in, she is taken off the street by two masked men. She is placed in a room which is little more than a cell. A pink cell. A room made for a doll. She is now part of their collection.

A Doll's House by Henrik Ibsen portrays Nora, the wife, as a "doll," beautiful, unsophisticated, childlike, well-meaning, but ignorant of the adult world and affairs. All of her friends see her as a doll. Her husband Torvald treats her as one, calling her childish names. He tries to control all of her behavior, not because he is mean, but because he loves her and he realizes that she is unable to do so. IN "A Doll's House, Torvald" tells Nora what to eat so that her teeth will not be spoiled from sugar and how much she should spend because she does not understand much about money. And it is the latter, the money, that gets Nora into trouble. Torvald was sick some years back and needed to travel and stay in a warmer climate for some months, but the couple had no money. She, out of childish but ignorant love, borrowed money from an unscrupulous man who insisted that she have her father countersign the loan. Her father was dying, so she forged his signature on the loan document. She was certain that this was not wrong because her intentions were pure, she wanted to save her husband's life. She did not tell her husband about the loan because she childishly wanted to surprise him someday in the future and show him that she acted wisely and that she, who he thought of as childlike, saved his life. She laughed about her cleverness often when she was alone. Now the unscrupulous lender is demanding something from Nora, or he will reveal the forgery to her husband and his employer, and this will affect her marriage and her husband will lose his job. The tragedy in Henrik Ibsen's "The Doll's House" probably would not have occured if the people would have treated women properly as human beings rather than dolls.

Delivering three distinct and powerful visions of characters who choose to defy convention in the pursuit of happiness, Henrik Ibsen's A Doll's House and Other Plays is translated with an introduction by Peter Watts in Penguin Classics. The League of Youth was Ibsen's first venture into realistic social drama and marks a turning-point in his style. By 1879 Ibsen was convinced that women suffer an inevitable violation of their personalities within the context of marriage. In A Doll's House, Ibsen caused a sensation with the his portrayal of Nora Helmer, a woman who, gradually arriving at an understanding of her own misery, struggles to break free from the stifling confines of her marriage. Continuing the theme of tensions within the family in The Lady from the Sea, Ibsen put forward the view that freedom with responsibility might at least be a step in the right direction. Peter Watts's lively modern translation is accompanied by an introduction examining Ibsen's life and times, with individual discussions of each of the three plays. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.